August 2014 Playlist

Spotify Playlist here416788b

To say I’ve been neglecting my blog a bit lately is something of an understatement. It’s been nearly a year since I last wrote anything here, and I have to confess, I haven’t felt any sort of need to do it. I stopped blogging because I no longer believed I had anything interesting to share. Why should I just be scribbling endless ‘lifestyle’ posts out without any sort of reasoning behind them? With ‘lifestyle’ blogging (yes, I’m keeping the inverted commas for full ridiculousness) you eventually become aware that all bloggers are writing the same sort of thing, with the same kind of carefully neutral commentary. 

In short, I stopped writing because I was shouting into the void, writing for the sake of it. I moved up to London in the Spring, and I’m now aware of the sort of thing I want to write. There are so many amazing things to do in the city, and I’m going to try and write about some of them, purely because they interest me, and not because I’ve been asked to write about them or paid for my services. I started my blog as a way of recording things that made me happy, no matter how small or silly, and I’m keen to find that passion again. 

For today though, I’ve got a different sort of post. I thought I’d share some of the tracks I’ve been listening to this month, along with a handy Spotify playlist for easy listening. I’m a big sbtrkt fan, and I’ve enjoyed the collaborative work Vampire Weekend’s Ezra Koenig has been doing (e.g. with Major Lazer), so this song has been on repeat for me. I love the imagery of the ‘flags flapping in Manhattan, gargoyles gargling oil’. Chet Faker’s No Diggity cover is an oozy, enjoyable trek of an interpretation, and professional saddo Lana Del Rey benefits from a bit of a speed up by Cedric Gervais. 

The War on Drugs seem to be steadily creeping into public awareness, and Under the Pressure is a glorious 9 minute showcase of their latest album that has soundtracked my Summer. I’ve also popped in a bit of the ever-rousing Is Tropical, which never fails to perk me up. Glass Animals are a new discovery, an addition to my adored coterie of indie exports from Oxford (see also Foals & Trophy Wife). They’re a bit of a revelation, like having thick treacle course through you aurally – full of expansive vowel sounds and languid vocals. Finally, Juce are an exceptionally promising trio who recall girlbands of both the 60s and the 90s. Their band logo is even written in the same font as the film Clueless, and they’re a gorgeously fun slice of pop for the final remnants of Summer. 

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